SPEAK
ASEMIC ABOUT ASEMIC
Asemic
is another name for informal,
as in abstract art.
Asemic
text, a poem, may have all the necessary properties of poetry:
rhythm, sound, force impact (which is intuition – the insight).
Therefore, letter formations which are not recognizable as words are
in function of poetry, despite the fact that language itself is not
represented. The question arises: is language the necessary property
of poetry or is it not?
Artistic
or poetical method is using difference in potential to paint the
universe of facts, but the “meaning” of this universe is not part
of the method. The meaning is strictly result of an ideological,
hierarchical system used to “organize” facts and by doing so
giving them the “meaning”, by means of conditioning these
elements of the picture in certain order of dependence. Thus, meaning
is interpretation. Such system of interpretation is —
language.
It is
possible to use existing words of a language in an asemic fashion.
This may
be confusing, but fooling around with the supposed and appropriated
meaning of words will destroy the conventional interpretation —
it is also called the “deconstruction” of language. So, this is
also valid poetical method, although the text may appear not to be
asemic at first glance.
The
asemic way to define the poetical method is given in Signalist Theory
of Everything, in one (asemic) sentence:
“The
relationship between the abstract and the concrete is the analysis.”
The
“everything” here is the contents of the whole Universe, but it
is not defined as numerous distinctive “facts” (which are
normally perceived by our senses). The infinite elements of the
Universe, subjected to analysis are translated into the abstract, so
their “reality” is twofold — ambivalent or absurd. Analysis
surpasses time/space relevance and brings all into one place at the
same time. This is the work
of the “force”, of the abstract — the energy. This poetical
position allows total creativity.
It
is obvious that the condition for poetical method to be applied is
the knowledge. With knowledge of “forms” and their common
properties, it is possible to deal with them without an axiomatic
(arbitrary) system, such as are language or mathematics.
Acting
from the position of the abstract, poet can create his own order of
events without using any kind of conditioning and by doing so the
result will be asemic, although perfectly discernible.
Synonyms
for analysis are: truth, deconstruction, art, poetics, drama, death,
etc.
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